Tag Archives: Patterson House

Patterson House Book Tour Update

It has been a joy to tour around Canada with Patterson House. Thank you to everyone who came out to events and a special thank you to everyone who joined me as a presenter including Aritha Van Herk, Rayanne Haines, Sandra S.G. Wong, Fran Kimmel, Katherine Taylor (twice!), Elizabeth Adilman, Judy Rebick, Sally McLean and Theresa Kishkan. What a wonderful experience to be with you all! And thank you to the venues and hosts — Shelf Life Books in Calgary, Glass Bookshop in Edmonton, Studio 106 in Victoria, Another Story Book Shop in Toronto, The Beaches Branch of the Toronto Public Library, Flying Squirrel Motorcycle Club in Toronto and Massy Arts/Massy Books in Vancouver. You were all so welcoming and helpful!

Talking with readers about Patterson House has been a real treat for me. The characters have been in my own head for such a long time that talking about them now feels gossipy and fun. I love it when people tell me they couldn’t put the book down and stayed up way too late to finish it. What a compliment!

Although the book tour is over, I’ll continue to talk about Patterson House at book clubs and with whoever else wants to talk to me about it! I have a couple of interviews coming soon with Women Writers, Women’s Books and one that will be out soon in the Beaches Metro Community News. These are my people! When people from the Beach tell me I got it right, I feel very complimented.

Here are a few photos from the tour.

Photos from events along the way.

Do men read books about women?

According to an article in The Guardian, men generally don’t read books about women. They tend not to read books by women either. M.A. Sieghart reports that ”men were disproportionately unlikely even to open a book by a woman.”

That’s a darn shame. I don’t want to go to any sexist Venus and Mars place, but I think about this and wish I could speak to the dearest men in my life about some of the dearest fictional women in my life. I think they might get insight into the lives of women. That is, I think they might get insight into me. Sometimes these fictional women say the things I cannot. Read the first page of Claire Messud’s The Woman Upstairs, for example.

Recently, my husband read Olive Kitteridge by Elizabeth Strout. I was on a real Strout binge and was prepping Olive, Again for my book club. Olive was in my mind and even in my dreams. I would wake up and be in the passenger seat of Olive’s car, her big black purse crowding me. When I had concerns, I would wonder what Olive would think. Oh, let me tell you, I was in deep. There are so many ways I relate to this difficult and imperfect woman. There is Olive in me. This I know.

Frances McDormand as Olive

What a treat it was to be able to discuss her. Olive makes me feel normal. Or sort of normal.

Similarly, I was just watching the new show on Julia Child, Julia (HBO) and in the first episode of season one, there is Julia, all hot flashy and having a conversation about menopause with her doctor. When she finally tells her husband she is changing, it is a moment of great tenderness.

Ad for HBO’s Julia

It’s lovely thinking about men watching this show (if they do) and witnessing a conversation like this and adding it to their general experience. That way, when such a time crops up in real life, they are not in a conversation that seems to come from Venus, but from this very earth. Maybe it will help all earthlings along the spectrum of sex and gender communicate just a wee bit better. Isn’t that what fiction is for? To help us understand each other?

Sieghart writes, ”If men don’t read books by and about women, they will fail to understand our psyches and our lived experience. They will continue to see the world through an almost entirely male lens, with the male experience as the default. And this narrow focus will affect our relationships with them, as colleagues, as friends and as partners. But it also impoverishes female writers, whose work is seen as niche rather than mainstream if it is consumed mainly by other women.”

As a woman about to release a book about women, this matters to me.

Historical Fiction is fiction. And fact.

Copy edits and fact checking are going on now for PATTERSON HOUSE and I suddenly realized I forgot an author’s note, which is a pretty typical thing to put in historical fiction. Who doesn’t like a little chat about sources and accuracy, something to the effect of this is history AND fiction, and how it is not possible be 100% accurate when I have inserted a completely fictional family into the mix? I have messed with the space time continuum. I have violated the prime directive. These actions leave marks.

Do I know who owned the Phoenix Block before it burned to the ground in the Great Fire of 1904? Well, yes, I actually do. But for the purposes of this book, it was William Patterson. Why? Because the imagery of the Phoenix is just too good to throw away.

Mr. Newton Wylie actually was a real person and a leader in the prohibition movement. And he really did break his back. I did not make him up. Or did I? Do I know if he was married or if he was the kind of man to notice a woman’s hat? No. No I don’t. But his name was too perfect to set aside. Mr. Newton Wylie is part of my PATTERSON HOUSE world now and welcome to him.

Bishop Strachan was certainly a real person. Do I know if he would have helped marry off a cousin in England? I do not. But this is what historical fiction is like.

What I like about historical fiction is the possibility of anchoring the story in real events. I believe it lends a story authenticity. What I also like about historical fiction is making the story up.

Somehow, I will get that into my author’s note.

The Phoenix Block, burned to the ground after the Great Fire of 1904