Author Archives: Jane Cawthorne

About Jane Cawthorne

Jane is a writer currently living in Victoria BC. She grew up in Toronto and also spent many years in Calgary where, among other things, she taught Women's Studies at Mount Royal College (now Mount Royal University). Her work is about women on the brink of transformation.

Do men read books about women?

According to an article in The Guardian, men generally don’t read books about women. They tend not to read books by women either. M.A. Sieghart reports that ”men were disproportionately unlikely even to open a book by a woman.”

That’s a darn shame. I don’t want to go to any sexist Venus and Mars place, but I think about this and wish I could speak to the dearest men in my life about some of the dearest fictional women in my life. I think they might get insight into the lives of women. That is, I think they might get insight into me. Sometimes these fictional women say the things I cannot. Read the first page of Claire Messud’s The Woman Upstairs, for example.

Recently, my husband read Olive Kitteridge by Elizabeth Strout. I was on a real Strout binge and was prepping Olive, Again for my book club. Olive was in my mind and even in my dreams. I would wake up and be in the passenger seat of Olive’s car, her big black purse crowding me. When I had concerns, I would wonder what Olive would think. Oh, let me tell you, I was in deep. There are so many ways I relate to this difficult and imperfect woman. There is Olive in me. This I know.

Frances McDormand as Olive

What a treat it was to be able to discuss her. Olive makes me feel normal. Or sort of normal.

Similarly, I was just watching the new show on Julia Child, Julia (HBO) and in the first episode of season one, there is Julia, all hot flashy and having a conversation about menopause with her doctor. When she finally tells her husband she is changing, it is a moment of great tenderness.

Ad for HBO’s Julia

It’s lovely thinking about men watching this show (if they do) and witnessing a conversation like this and adding it to their general experience. That way, when such a time crops up in real life, they are not in a conversation that seems to come from Venus, but from this very earth. Maybe it will help all earthlings along the spectrum of sex and gender communicate just a wee bit better. Isn’t that what fiction is for? To help us understand each other?

Sieghart writes, ”If men don’t read books by and about women, they will fail to understand our psyches and our lived experience. They will continue to see the world through an almost entirely male lens, with the male experience as the default. And this narrow focus will affect our relationships with them, as colleagues, as friends and as partners. But it also impoverishes female writers, whose work is seen as niche rather than mainstream if it is consumed mainly by other women.”

As a woman about to release a book about women, this matters to me.

Historical Fiction is fiction. And fact.

Copy edits and fact checking are going on now for PATTERSON HOUSE and I suddenly realized I forgot an author’s note, which is a pretty typical thing to put in historical fiction. Who doesn’t like a little chat about sources and accuracy, something to the effect of this is history AND fiction, and how it is not possible be 100% accurate when I have inserted a completely fictional family into the mix? I have messed with the space time continuum. I have violated the prime directive. These actions leave marks.

Do I know who owned the Phoenix Block before it burned to the ground in the Great Fire of 1904? Well, yes, I actually do. But for the purposes of this book, it was William Patterson. Why? Because the imagery of the Phoenix is just too good to throw away.

Mr. Newton Wylie actually was a real person and a leader in the prohibition movement. And he really did break his back. I did not make him up. Or did I? Do I know if he was married or if he was the kind of man to notice a woman’s hat? No. No I don’t. But his name was too perfect to set aside. Mr. Newton Wylie is part of my PATTERSON HOUSE world now and welcome to him.

Bishop Strachan was certainly a real person. Do I know if he would have helped marry off a cousin in England? I do not. But this is what historical fiction is like.

What I like about historical fiction is the possibility of anchoring the story in real events. I believe it lends a story authenticity. What I also like about historical fiction is making the story up.

Somehow, I will get that into my author’s note.

The Phoenix Block, burned to the ground after the Great Fire of 1904

 

 

 

PATTERSON HOUSE is on the way (knock on wood)

Inanna is going into production of the fall schedule. PATTERSON HOUSE is finally going to see the light of day. September 27, 2022 is the publication date.

It’s been a journey. In case you ever wondered if you should keep going, if you ever wondered if your work would ever get finished and get “out there”, here are a few of the things that happened along the way to writing my first novel.*

After starting the work in 2006, I realized I did not know what I was doing. I gave up several times. I took courses. I joined writing groups. I got help.

I turned several ideas into short stories. I published unrelated short stories and other work. Smaller things. I learned.

I realized I had too many characters.

The main character changed. It was supposed to be the young Constance, but Alden took over, which is so like her, and I had to acquiesce.

I gave up again.

I moved to Boston and decided that was a good time to resurrect the book and figure how to write a novel while getting an MFA, which I did. Meanwhile, Elaine and I edited an anthology about menopause because all that was happening too.

This brings us to 2016.

I had an agent interested. I promised her a full MS in four months. I wasn’t quite finished, but knew I could be in four months.

Then I was in a car accident and got a brain injury. That journey is described in IMPACT. The TLDR version: I had to learn how to do a lot of things again, including read.

Three years later, to no one’s surprise, the agent very kindly said she was no longer interested.

I found another agent who seemed very interested and suddenly our movement towards a contract faltered. She had decided to leave the business.

I found a third agent, who was even more effusive than the second. While we were negotiating the fine print of the contract, she left the business, which I learned about on Twitter. I began to wonder if I was the common denominator here. Was my novel driving people out of publishing? Luckily, I had not yet signed because although the agency promised to take care of her clients, they did not.

I gave up looking for an agent.

I started submissions. There were rejections. And near misses. Perhaps the best/worst was when a house told me I was ninth on their list and they decided to publish eight books that year. Seriously, why even tell me that? I mean, thanks? I guess?

And then acceptance! I signed with Inanna. I had worked with them in the past (Writing Menopause) and was excited to do so again, especially with Editor Luciana Ricciutelli, who I first met in 1998 and had always admired.

The pandemic started and Inanna, like so many other presses (both small and large), delayed their entire schedule. Lu sent a multi-page email detailing the situation. Totally understandable. Even major movies were being delayed. No one knew what was going on. Meanwhile, I was working on IMPACT. I had a lot to keep me busy.

Then the unthinkable happened; dear Lu died. A tragedy for so many people. And my book was, understandably, delayed again. A minor thing in the context of the loss of such a wonderful person.

There was one more delay after that. Probably for the best since IMPACT was coming into the world and with my brain injury, I’m better doing one thing at a time.

The September 27 date comes with some cautions; paper shortages, shipping containers, etc etc etc etc etc. Recently, I heard of a YA writer whose container full of books landed in the Pacific somewhere. I couldn’t read on. My heart goes on to them. Anything can happen.

But for now 16 years after I first had the idea for this novel, Inanna will publish PATTERSON HOUSE. I can’t wait to share this last leg of the journey. It’s been a long time coming.

What’s the lesson here? Keep trying. Sometimes things take a while. Knock on wood.

* ”First novel” is the MOST optimistic phrase I have ever uttered.

 

 

Launch Day! Impact: Women Writing After Concussion

It’s a big day. Impact is going out into the world after years of work. It carries with it the hearts of 21 writers who share what their lives are like after their concussions and traumatic brain injuries. I am so grateful to each and every writer who made this book possible and offer special thanks to my co-editor, E. D. Morin. I could not have a better partner in this work.

Our thanks also go out to the Canada Council for the Arts for supporting the creation of this work and the University of Alberta Press who believed in it and have done so much to make this dream come true.

Join us for our launch tonight if you can. It will be recorded and available on the University of Alberta Press website.

Also please view and share our videos about the project. They are amazing and another labour of love by the participating writers and by our film editor, Junyeong Kim.

 

Living is hard work when you’re dying.

My friend is nearing the end of her life. I owe her so much. She is the person who taught me how to think.

I have so many feelings about it and everyone is worn out, I don’t want to burden the world with this. So, I’ll put it here, in my never read blog.

I was in my 30s when I met her. I foolishly thought it might be too late for me to do something different. She gave me examples of women who had done what I was trying to do, who had done it successfully. She gave me courage. She is whip smart and so generous. She loves to laugh. She loves playing games. She loves good food and fun company. She loves a cause. She loves justice and fights for it. She has the most diverse group of friends of anyone I have ever known. She attracts light.

Now I make her dinner. I am one of many who do this for her. She has a huge network of people who love her and help her, a sure sign of a life well-lived.

But we are in a pandemic. She cannot be with her people like she wants to. We cannot play games together. We see each other with masks on. Her beloved son and grandchildren live far away, in another country. She still cannot get her second vaccine. She is told she has to go to the mass vaccine site she went to for the first. She will need help and a wheelchair. Another friend is helping with this very practical matter. Will it happen in time?

What she wants more than anything is more time. Time with her grandchildren. She wants to hug them. She even wants to hug me and how I would love to hug her back. It is heartbreaking.

What she does not want is sympathy. These days, it is hard not to send it out to her over my mask. She sees it in my eyes. I catch myself. I offer her practical help. This is what she wants from me. So this is what I give. I honour her by doing what she asks of me, and she honours me by asking.

When my mother was dying, right at the very end, I realized I had thought of her as dying while she was still living. We label people as dying too soon. My friend is still living and her life is very hard right now. The grief of this time overflows.

Book Recommendations for Mother’s Day

This morning, I happened upon a tweet by Jael Richardson who expressed that she’s not too keen on what she’s seeing on book recommendations for Mother’s Day. I responded, interested in what she would recommend.

Richardson’s point is that she wouldn’t make a different recommendation to mothers than she would for anyone else. She writes, “My favourite books for ‘mothers’ are my favourite books for people.” Yep, true. She objects to the spring time covers and so on, and is asking people to think about what the marketers think a “Mother’s Day book” is. It’s a good and important point to make.

Cover of (M)Othering, a new anthology edited by Anne Sorbie and Heidi Grogan

Some of the other tweeters on the thread point out that Mother’s Day recommendations can be triggering, and this is so true for people who struggle with infertility or who have lost a child or children or have experienced any of the myriad things that can happen. Anne Sorbie, editor of the upcoming (M)othering Anthology with Inanna in Spring 2022 (with Heidi Grogan) has as inclusive an approach to mothering as I do and says in her tweet, “All people are and do (m)other” to capture that inclusivity. I had recommended her upcoming book in my reply because, well, I’m in it, and I think it’s a logical Mother’s Day book recommendation. I am certain it will be inclusive and wonderful.

The flip side of Richardson’s point is that books about mothers are good for people.

I can’t help thinking that sometimes readers are looking for books that reflect their reality. Sometimes, it is helpful, (and not to be too dramatic) even life-saving, to find someone else who captures something of your experience with their words. A colleague of mine, Diana Gustafson, edited a book called “Unbecoming Mothers: The Social Production of Maternal Absence,” which was groundbreaking and, if it weren’t so darned hard to find now, would be a great Mother’s Day recommendation. It’s about the stigmatization of mothers who come to live apart from their children, for whatever reason. Mothers who give up, surrender, or abandon their children are among the most stigmatized.

What we do to mothers. (Shakes head.)

So, while the recommended books for Mother’s Day may be problematic, it is part of a bigger problem: Mother’s Day itself is problematic. It’s not literally a Hallmark Holiday, but it might as well be. It’s easy to create a situation in which people feel excluded and judged. It becomes the opposite of celebratory. Most problematic of all is the way our culture thinks about mothers, limits them, expects too much of them and offers very little by way of support. Even the notion that mothers are women is, thankfully, being deconstructed as we challenge gender constructs and stereotypes. All of this is welcome.

I also can’t help thinking that marketers are gonna market. Any opportunity to recommend books will be seized. Let’s try and be thoughtful about it.